Track of the Moment: Soul Clap feat. Robert Owens – “Misty”

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The history of Soul Clap’s “Misty” dates back four years ago to a 48-hour recording session held at Marcy Hotel in Brooklyn with Crew Love cohorts including Wolf + Lamb’s Gadi Mizrahi, No Regular Play’s Greg Paulus, Deniz Kurtel and Lee Curtiss. When Eli and Charlie of Soul Clap met legendary house singer/songwriter/DJ legend Robert Owens at the Garden Festival in Croatia in 2011, the song had found a singer. One thing led to another and — voilà — “Misty” is finally here.

Despite the long and winding road the song has taken, “Misty” arrives right on time. Owens once again plays the lovelorn protagonist to maximum effect, recalling the lyrical themes he explored on his seminal tracks with Larry “Mr. Fingers” Heard. Owens’ trademark velvet croon is in tip-top shape and it’s tailor-made for the Clap’s expertly crafted groove.

In contrast to the original downtempo version, the Louie Vega Roots NYC Mix and Louie Vega Swirl Bass Mix both up the tempo just enough for dance floor consumption. They’re both sublime offerings and are as deep as the Atlantic Ocean. Tanner Ross’s remix featuring Greg Paulus on trumpet is stripped down, spare and is not to be missed.

Available only on vinyl, the Louie Vega Way Back Mix is dark, brooding and sexy. Vega keeps Owens’ voice front and center and lets Owens’ swagger flow (“Where you been girl/Why you playin’ me like that?”). The master retrofits the song with a walking baseline a la Bobby Konders circa 1990, allowing us all to imagine for a moment what Nu Groove Records would sound like in 2014.

Track of the moment!

Bestival 2014: An Overload of Top DJ and Electronic Music Talent

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This year’s Bestival was held on a sunny weekend from September 4-7 at Robin Hill Country Park located on Isle of Wight. Rob da Bank’s annual fete was four days of music and mayhem with acts ranging from Outkast and Major Lazer to Foals, Chic and Bonobo.

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EDM is taking a foot hold everywhere and the genre made its presence known at Bestival. The usually eclectic UK festival that began in 2004 had been generally been built on electronic music, but this year saw a decline in indie-rock acts on the bill. Interestingly enough, the hippies, crustsies and rock heads who were prominent in recent editions seemed to disappear. Nonetheless, happy smiling faces were in abundance.

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Track of the Moment: Wink – “Talking To You”

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Since the ’90s Josh Wink has been teaching a masterclass in musical simplicity. He’s done so by keeping his productions minimal and focused with pinpoint accuracy.

On “Don’t Laugh” he stitched a sample of a delirious laugh into the fabric of a gurgling acid backdrop; “Higher State of Consciousness” (penned under his Winx moniker) was an intoxicating miss-mash of breakbeat, acid and techno; and “I’m Ready” (penned under his Size 9 alias) delivered one of the most memorable epic buildup/breakdown of all-time.

Tinged with acid and sporting a vocal sample oozing with Philly attitude, “Talking To You” strikes with the precision of a commando attack. Concentrating again on one great idea, the professor builds the tension into a rousing crescendo, presenting yet another lesson on why less-is-more works on the dance floor.

Game. Set. Match. Wink. (Again.)

Review: Geiko – ‘Aggressive’ (Waving Alien Records)

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★★★☆☆

Geiko is a solo project helmed by Ámaris Wenzel, a multi-talented Swiss producer. Wenzel is also singer and co-owner of Waving Alien Records. In a time where it seems like ghost producers are more prevalent then ever, it’s refreshing to come across an artist who is producing and performing their own music. That’s the way it should be anyway, right?

It’s clear Wenzel bolsters a fairly wide range of music tastes because her productions combine sounds from a multitude of genres — electronica, trip-hop and a dusting of rock ‘n’ roll.

Aggressive feels like a throwback album featuring sounds reminiscent of the electronic music produced in the late ’90s. Even though her style is different and darker, Geiko reminds me a little of BT. Not so much in terms of the style, but in the way she produces her vocal chops and operates as is a one-person band. (Have a listen to “Catch Me” and see if you agree.)

If you like synth-pop flavored tunes of the atypical variety, and you like your electronic music to be on the gothy side of the spectrum, Aggressive is a good option for you.