Tommy Boy Music Acquired for $100 Million

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New York-based independent music company Reservoir has acquired influential hip-hop and electronic record label Tommy Boy Music for $100 million. In addition to various business activities, Reservoir represents a multitude of recorded music through Chrysalis Records and Philly Groove Records and manages artists through its ventures with Blue Raincoat Music and Big Life Management.

According to Reservoir, the deal comprises 6,000+ masters including Coolio’s “Gangsta’s Paradise,” House of Pain’s “Jump Around” and Afrika Bambaataa & The Soulsonic Force’s “Planet Rock.”

Tommy Boy’s impact on electronic music is huge. The label founded by Tom Silverman in 1918 (Disclosure: Silverman published Dance Music Report, a trade magazine I worked at back in the day. During my tenure, I never met or spoke with Silverman) released iconic albums by LFO, Coldcut and 808 State, as well as releases by Latin freestyle acts TKA, K7 and Information Society.

A representative for Reservoir has told Variety that the new label ownership will bring the De La Soul catalog to streaming platforms after a few false starts. “We have already reached out to De La Soul and will work together to bring the catalog and the music back to the fans.”

The groundbreaking New York rap trio has objected to their music being made available on streaming services because per a contract they signed as teens only 10 percent of the revenue generated from the music streams would go to them.

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Kevin Hedge Shares His Musical Inspirations

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New York City-based DJ/producer Kevin Hedge has helped play a big role in pushing house music forward as half of the songwriting/production team Blaze. Together with partner Josh Milan, they’ve written dance floor gems such as De’Lacy’s “Hideaway,” collaborated with Louie Vega, Barbara Tucker and Jody Watley, and remixed Aretha Franklin, Jennifer Hudson and Beyoncé.

Hedge is formidable behind the decks, playing alongside Timmy Regisford at Club Shelter NYC and helming the ROOTS NYC parties at meatpacking club Cielo alongside Vega back when those influential clubs were open.

After taking a 10-year hiatus from producing, Hedge, who became president and co-owner of West End Records in 2002, returned last month with “Reach For The Stars,” a soulful, uplifting collaboration with Rick Galactik for Quantize Recordings. With hopefully more new music on the horizon, we checked in with Hedge to learn about his vast musical inspirations. Continue Reading

Claire Rousay’s Home Robbed of Studio Gear, Instruments

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A GoFundMe campaign has been launched to assist prolific experimental musician Claire Rousay after her home in San Antonio, Texas — where she wrote and recorded her recently released and widely acclaimed album, a softer focus — was burglarized earlier this week.

According to the campaign, thieves stole or destroyed “everything inside – her instruments, recording gear, clothes, furniture, photos, records, books. Gone, broken, or violated.”

The missive went on to estimate the value of the gear — guitars, drums, interfaces, microphones, and more — to be worth around $20,000.

“Claire is a full-time musician and needs to replace some of her gear to get back on her feet – with this GoFundMe, we are seeking to replace the bare minimum she needs to finish the commissions and work she has in the next two weeks. Any additional funds will be used to replace the other pieces of gear she lost.”

Earlier this month, Rousay announced the launch of Mended Dreams, a new imprint in partnership with American Dreams Records.

The venture is a vehicle for Rousay to release limited-edition solo and collaborative projects available only through premium subscriptions to Rousay’s Bandcamp or from American Dreams.

Image by Katherine Squier 

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Video Premiere: Invictus Hi-Fi – The Alpha

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Earlier this month U.K.-based experimental electronica artist Invictus Hi-Fi released an interesting concept album, The Market Deities. Throughout six expansive tracks sure to please fans of leftfield acts like Black Moth Super Rainbow and Dan Deacon, the mysterious producer stitches together songs comprised of smatterings of electronic styles — everything from offbeat electro to contorted trip-hop — with washes of vocal samples.

The thesis of the album investigates one burning question: “If the financial market had gods, what would they sound like?”

We’re thrilled to world premiere the music video for “The Alpha,” a bleep fest heard on the new release.

The plot follows a mysterious protagonist wearing an MF DOOM-style helmet interacting in the real and digital worlds. As the vocal sample explains what alpha means, we see vintage snippets of stockbrokers chasing alpha in the form of return on investment (ROI). In the age of Robinhood day traders, the topic couldn’t be more timely.

Hit the play button below and enjoy.

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