Dro Carey Details ‘Club Injury Handbook’ EP with Awesome Album Art

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Have your ever been in a club and worried about safety – like where all the exits are, and what to do in case of a fire or any other unseen dilemma? Given the amount of injuries and deaths that have occurred in recent years over insufficient exits, it’s more than enough to give one pause before entering a crowded place. Greco-Roman’s new signee Dro Carey has thought about this too, and for his debut EP on the label, he’s included diagrams of dance floors and their emergency routes in the album art. Check it.

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The Club Injury Handbook EP finds the Australian producer expanding his off-kilter style in a manner that pushes it closer to more traditionalist club music, maintaining the warbled weirdness of previous records The Trilogy Tapes and Berceuse Heroique with a touch more accessibility.

Greco-Roman is a leftfield label well known for its exceptional roster of house, nu disco, and techno artists, and on Dro Carey’s debut for GR, it’s looking like he’s living up to the legacy. It features guest spots from Chocolate and Kid Kairo, and features tracks that comment on the scene damaging issues in Australia like the curtailing of late night venues and trading. Perhaps the safety instruction album art will do something about New South Wales’ 3 a.m. lock out laws – we shall see!

The Club Injury Handbook is out December 1 on Greco-Roman. Stream the title track below.

Dada Life’s Olle Cornéer Diagnosed with Cancer

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Some worrisome news from Dada Life’s Olle Cornéer. In a candid post on Dada Life’s website and Facebook, Cornéer has revealed that he has cancer. “The only word I could hear was ‘cancer,’” says Cornéer. “It kept bouncing inside my head and I don’t think I heard what the doctor said for the rest of the visit.”

In the past few months, Cornéer has not been touring as he was diagnosed in September and immediately sought treatment. “It was a Monday. On Wednesday I had surgery (moving fast is important). Since then I’ve been taking blood samples, going through X-rays and talking to doctors. And now I’m in chemotherapy.”

Reading Cornéer’s concerned but resilient words on the subject is reassuring – this has been a particularly heat-wrenching year for the DJ community. We lost both DJ Rashad and Frankie Knuckles unexpectedly, and it’s great to hear that Cornéer has caught it quickly and is doing what’s needed for a full recovery.

In addition to his treatments, Cornéer is still making music, having just finished tracks under his Night Gestalt moniker. He describes the project as the sounds he hears in his head “after the lights go dark at a big show, alone winding down at night,” which will be particularly intriguing to hear considering his recent diagnosis. He is also excited to work on new Dada Life tracks soon, which is great to hear.

Read Cornéer’s full statement here, and watch a clip of Cornéer directing a choir for his experimental New Flesh Network project.

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New Flesh Network from Olle Corneer on Vimeo.

DJ Krush Joins Forces with Traditional Japanese Musicians for ‘The Garden Beyond’

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DJ Krush — read our 2011 interview with Krush here — has always been known as the premier Japanese turntablist. He’s a pioneer of Japanese hip-hop, and is well known for his zen-style of mixing, often incorporating nature sounds among his jazz and soul breakbeats. Now, Krush has embarked on a project that digs further into his roots then he’s ever dug before.

The traditional Japanese court music known as gagaku is the basis for The Garden Beyond,  Krush’s recent performance at the Red Bull Music Academy where he played alongside Kodo, a group of traditional Japaense musicians, at the Tokyo National Museum’s Gallery of Horyuji Treasures. Holding ground with his usual mixture of electronics and scratches, Krush was joined by the sounds of the taiko, shakuhachi, and several other gagaku instruments.

DJ Krush has not always been into gagaku, which is surprising if you hear anything from the performance, as the sound perfectly melds with his DJ chops.

“To tell you the truth, we didn’t grow up listening to Japanese traditional music,” says Krush. “But now, as an adult, I realized how great these instruments are and want to pass this beautiful sound to younger generations.”

The combination was not only an exciting new venture for Krush, but also a feeing new horizon for the musicians involved, as gagaku is a genre built mostly on restrictive patterns. If you listen to the tracks the group produces with Krush, the chilly sounds coming from his turntable twisting along with the jangling, pounding, and whistle blowing of the gagaku group is an extremely unique experience.

There’s no news yet of an official release of The Garden Beyond, but check out a video of the recent collaboration below, as well as a stream of the full Horuji Treasures set from last month. [via Rocket News 24]

Giorgio Moroder to Return with First Album in Over 30 Years

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In one of the most unexpected resurgences ever, disco legend Giorgio Moroder, whose career has enjoyed a second act in the last two years thanks to his appearance on Daft Punk’s “Giorgio By Moroder” and his debut DJ set at Brooklyn’s Output, is coming back full force with his first album of new material in over three decades. Having signed to Sony Music/RCA, Moroder’s upcoming album will feature vocal appearances from Charli XCX, Kylie Minogue, Britney Spears, Sia and more.

In celebration of the announcement, Moroder, who blazed trails producing Donna Summer in the ’70s. has released a future-retro animated video for one of the songs on the record – the perfectly titled “74 is the New 24.” The song is classic Moroder with smothering synths, crystal piano breakdowns and a robotic vocoder dropping in for the song’s chorus.

One thing that is remarkable about the new track, as well as “Giorgio’s Theme” which Moroder released in the summer, is the overall vitality and seamlessness of it, sounding simultaneously fitting of his most famous work, while sounding not out of place in today’s landscape. In his press release, Moroder speaks about the timelessness of his platform. “Dance music doesn’t care where you live,” he says.  “It doesn’t care who your friends are.  It doesn’t care how much money you make. It doesn’t care if your 74 or if you are 24 because… 74 is the new 24!”

The new album is currently untitled, but “74 is the New 24” is such a fantastic title, that should really be it. Watch the video via The Creators Project.