Review: Aeronautic Vol. 1

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4 out of 5 stars

With this collection of bass artists from around the globe showcasing a variety of styles, Aeronautic Records’ debut compilation shows off a wide range of talent. Bass music as a genre is so varied, and Aeronautic Vol. 1 does a good job at showing off the many styles that come under its umbrella as trap, juke, footwork, Ghettotech and ambient styles are all featured heavily here.

The compilation collects such a wide range of sounds and styles over its 20 tracks. From Dev79 & Swimwear’s cinematic blend of classic Ghettotech and trap on “Shoot Dice” to the laid-back vibe of Atman’s woozy “Whenever You Want Me” to the mix of a hip-hop indebted, high-octane Baltimore club music of DJ FLP’s “Good Old Days” with its heavy use of its 808s and the eclectic nature of “The Stokes” by Radius, there is a huge selection for your ears and mind to get stuck into.

Some of the standout tracks include the heavyweight and brooding electronic feel of “Late Night Situation” by Satta Don Dada & Ace Myth, the destructive digital funk of “Chicken Strip” by Pleasure, the vibrant “Back To The Cave” by Squash, the cinematic crawl of “Borjas Carry On” and Zebo’s “Indigo”, an uplifting track reminiscent of Rustie and Hudson Mohawke.

With the interest in bass music in all its variations at an all-time high, and the rise of clubs and labels like Brainfeeder, Low End Theory and Numbers, Aeronautic Records have released this showcase at a perfect time. Hopefully we will hear a lot more from then in the future as they are definitely a label who have a knack in selecting talent.

Gavin Brown

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