2019 Rewind: Rene Wise

rene wise

How was 2019 for you?
Rene Wise: Without trying to sound too over sentimental 2019 has probably been one of the best years of my life. I’ve met so many amazing people and gained great friendships over the year, mostly through music-related situations. It’s been a very focused year for me; without exaggeration, my whole life this year has been devoted to music, trying to improve myself as a producer and DJ and surrounding myself with like-minded people. I will admit, it has become too obsessive at times and as I don’t really have anything else to take me out the music cycle as I’ve no other hobbies to throw myself into, although this has its downsides. I also think it’s a positive, as it keeps me motivated and driven.

Highlights?
Spending a week jamming in the studio with Rødhåd at his Berlin studio in February. Rødhåd has been a long-time inspiration of mine and it was a great pleasure to work on music together and get to know him personally. April was also a very special month for me, as my second release on Mote-Evolver came out and then later that month I played the opening slot at Berghain for Luke Slater’s remix EP release party, which turned out to be one of the most fun nights I’ve had DJing. Aside from that, other highlights have been all the amazing places I’ve been lucky enough to travel to and DJ. I’ve met so many other talented DJs and people through gigging in different parts of the world this year and it’s great to see the scene thriving in so many different places, due to the efforts and work of crews and other artists.

Lowlights?
I’m grateful to say there have not been many lowlights this year. However, sometimes things have become a bit mentally straining for me, as like I mentioned above, I don’t really have any other hobbies to detach myself from music. When you’re constantly putting your mind into one thing, the fun can start to disappear; self-doubt and other negative mindsets can start to form and you can begin to tire of something you’re so passionate for, this is never healthy. 2019 has been a learning experience for me in how to deal with this mental stress that I developed from my own obsessive nature. Too much of anything can be bad a thing and it’s important to look after yourself.

Song of the year?
Sheesh, big question. I honestly can’t just pick one so I will have to list a few!

Roberto & Jamie Anderson – Bare Essentials Feat. Robert Owens

VIL – FYS

Barker – Utility

Planetary Assault Systems – Give It Up

What’s your New Year’s resolution?
I never really put much thought into New Year’s resolutions, whether that’s a good or bad thing…But if I can keep learning and improve as a producer/DJ, stay in good health and continue to enjoy this journey in music, then that will keep me content in 2020.

No paywalls, free to all. Help us remain 100% independent and unbiased. Please give to Big Shot by making a secure one-time donation to help us continue covering DJ culture and electronic music like we’ve done since 2003.



2019 Rewind: Oded Nir

Oded Nir

How was 2019 for you?
Oded Nir: 2019 has been a fantastic year. I released my second solo album, Rooftop Conversations, in April, along with the singles and remix packages that came before and after it, and I have done a big round of gigs throughout the year as a solo act (DJ- live bass) and with my live band. I’ve also gained more residencies in Amsterdam, and I performed in London for the first time (iCulture party), which was all very exciting for me. It was a year of changes in my career and my personal life. I’m very grateful for the blessings I received and the opportunity I have of reaching people around the world with my music.

Highlights?
The year started with the release of “Amsterdam Nights,” [which was] the first single out of my new album, which started a hectic year of releases, post-production, interviews and performances. Very exciting times, which followed with the release of my album, Rooftop Conversations. It was just heartwarming to see the responses to it. The album release party at Madam/ Adam Toren Amsterdam was a very special night, a celebration of a year of hard work and all the artists came to perform alongside my good DJ friends DJs Richard Earnshaw, Steve Taylor and Mike Scot.

Also my ADE 2019 live band performance during iCulture, Suntree Records & Panorama night in Madam/Adam Toren was unforgettable for us. The dance floor was full early in the night and everyone was dancing with us. We felt the love of music in the air and we carried away with the crowd for an hour; it was fantastic and my best ADE experience ever. And I have also founded Suntree’s publishing, which is handling all mine and Suntree’s artists publishing rights.

Lowlights?
Three weeks before my album release party I had a bicycle accident in the streets of Amsterdam. I flew up in the air and landed on my arm and fractured my left elbow. I wasn’t sure I could perform with my bass guitar on my scheduled gigs, but more important on my own album release party. I think there is nothing more scary for an artist then to lose his ability to use his craft. Luckily it was a small crack. After intensive physiotherapy, I was able to perform at my album release party.

The year was very intensive and took a heavy toll on my personal life. I performed a lot of weekends and also traveled for gigs and didn’t have much time for myself or to rest. So I’m going to make room for me this year!

Song of the year?  
Although it was released in the last month of 2018, for me Fatboy Slim’s “Praise You” (Purple Disco Machine Remix) is the track choice of 2019! I discovered it a bit late and I think it’s just a brilliant production. I closed my ADE 2019 live show with it. This track always makes the floor go crazy!

What’s your New Year’s resolution?
“Nothing Brave comes out comfortability.”

No paywalls, free to all. Help us remain 100% independent and unbiased. Please give to Big Shot by making a secure one-time donation to help us continue covering DJ culture and electronic music like we’ve done since 2003.



2019 Rewind: Brooklyn Funk Essentials

brooklyn-funk-essentials

How was 2019 for you?
Lati Kronlund: 2019 has been a game-changing year for Brooklyn Funk Essentials, as we presented our new line-up fronted by Alison Limerick on lead vocals. We released our new album, Stay Good, as well as four singles that all did phenomenally well. But still, it’s at our live shows that we really feel the direct positive response from the audience, and we have had some amazing shows this year.

Highlights?
Our first ever gig in India was a real buzz. The insane Halloween funk fest at London’s CLF Art Café was a blast, and returning to Istanbul and Paris was really heartwarming. What was also very special for us was the Mochi Men remix release of our Frankie Knuckles co-penned song “Watcha Want From Me.” Great feeling to be back on the disco dance floors.

Lowlights?
We filmed a video for our single “Funk Ain’t Ova” in the moonscape hills of Lanzarote, and then the hard disk with the footage was lost. But we still got a really good video together in the end.

Song of the year?  
So many great releases in 2019. “Rapture” by Koffee was definitely one of the hottest.

What’s your New Year’s resolution? 
Stay Good – Funk Ain’t Ova.

2019 Rewind: Risa Taniguchi

Risa-Taniguchi

How was 2019 for you?
Risa Taniguchi: 2019 was obviously a significant year for me. I achieved my first European tour which was a dream come true. It gave me the opportunity to share moments with artists including Pan-Pot and Joyhauser at ADE and Watergate.

Highlights
?
Definitely playing at Watergate, which was also my first Berlin gig in my life! Of course, I also have to mention the releases which I had on Second State and Kneaded Pains.

Lowlights?
I was unable to take care of myself physically during the tour! I learned for the first time how hard it is to be away from your daily routine, which can affect your health. It was a few weeks I was away in total, so I now realize how important it is to stay healthy on tour!

Song of the year?
Industrialyzer – Moonstone

What’s your New Year’s resolution?
To have a few more shows overseas and back in Europe. I want to be able to bring my music to audiences all over the world. At the same time, I know I need to secure more time to focus on my production. I only have a small studio in Tokyo, so maybe that’s something else I need to work on!

No paywalls, free to all. Help us remain 100% independent and unbiased. Please give to Big Shot by making a secure one-time donation to help us continue covering DJ culture and electronic music like we’ve done since 2003.