★★★★☆
The usual deep house majesty from the Art Department and No.19, but this time there’s a pressure pushing down on Experiment number three, a feeling that all connected are trying to keep their cool and enjoying the challenge of keeping the flustered at bay. A little tetchiness here and irritability there, a reoccurring state-of-the-union address, and in some cases, seeing if the warpath is clear for takeoff, it keeps moving forward the ethos of Jonny White and Kenny Glasgow. Darkly sophisticated, bass loaded (Brigante’s mix of Ali Love’s “The Jungle” forcefully using the feel-by-sound model), and anything but casual as it puts slashes into the session’s urbane upholstery, joints and muscles are rarely given a chance to loosen throughout.
Robert Owens takes over AD’s mix of “Tomorrow Can Wait,” dulcet tones reflecting ghostly-like upon Luca C & Brigante’s iced waters across nine minutes of back to ‘88 instruction that baby may want to ride — an illusion repeated on Jakkin Rabbit’s tech-enforced “Full of Dreams.” Jamie Jones’ “Doctor Blue” attempts to outrun a flickering synth cell, and Bryan Ferry’s suaveness becomes cautionary on Carl Craig’s testing, bubbling remix of DJ Hell’s “U Can Dance,” while the doldrums are most mined on AD’s authoritative “Robot Heart”. All told it’s a fairly unrelenting mix, building on its own brand of persuasion and only easing off a touch come its finale. Style and sweat in perfect harmony.
File under: Gregorythyme, Catz n Dogz, My Favorite Robot
