An Interview With Prince Conducted at Paisley Park in 1999

prince-interview-mixer

In 1999 Prince was in comeback mode. After massive success in the ’80s, he was in the throes of a public legal battle with Warner Bros. over the rights to his music. Upset with the situation, he thumbed his nose in the face of the music industry and changed his name to an unpronounceable symbol. At the time I was the Editor-In-Chief of Mixer, a monthly DJ magazine published by DMC. A publicist I had worked with over the years, Lois Najarian, pitched me on interviewing the Purple one about his new album, Rave Un2 the Joy Fantastic. The only caveat was the interview had to be a cover story. The decision to put his Purpleness on the cover was a no-brainer.  

A few days later I was in the studio at Paisley Park interviewing Prince. Some things I vividly remember from that day: 1. He had a major disagreement with the photographer from Interview magazine. The row actually set the stage for what became an interesting discussion about ego, something Prince told me he’d been working on. 2. Our pizza-and-salad lunch was inspected by his security people upon its delivery (“He doesn’t allow meat on the premises,” we were told.) 3. Prince arrived three hours late, wore heels and make-up. 4. He was personable, friendly, funny, charming and engaging. 5. Prince’s recording studio was a sight to behold, boasting a massive SSL mixing desk and an arsenal of studio gear. Before Prince switched on the lights, I accidentally touched the neck of his famous symbol guitar that was perched on a stand while he was turning on the lights in the control room.

An invitation to interview Prince is one of the highlights of my career. I was not allowed to record the interview but was allowed to take notes. I came prepared with a thick pad and filled up every page by the time our chat was over. I wrote so much, so quickly, that my right hand hurt for a week.

Prince disrupted the world of music, fashion, movies and never apologized. He was a showman, an iconic provocateur whose impact will be felt forever. As is evident in the interview below, he pulled no punches and made no apologies. As the song says, I was dreaming when I wrote this, forgive me if it goes astray. Continue Reading

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No paywalls, free to all. Help us remain 100% independent and unbiased. Please give to Big Shot by making a secure one-time donation to help us continue covering DJ culture and electronic music like we’ve done since 2003.