Review: Cosmic Gate – ‘Start to Feel’ (Armada)

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★★★★☆

Cosmic Gate’s sixth album, Start To Feel, exudes positivity and optimism right from the opening track, “Happyness,” which draws on a peaceful infusion of beats and a fluent bassline for that picture perfect summertime joyride. Emma Hewitt’s resonating vocals materialize after an intro of haunting solace on “Going Home,” making for the potential immaculate pairing of Cosmic Gate’s duality: Nic Chagall and Stefan “Bossi” Bossems behind the decks and the enchanting Ms. Hewitt’s presence on vocals.

Start to Feel is unabashed in its array of anthems: The synthy raise-your-hands-in-the-air of “Sparks After The Sunset” with Sarah Lynn, the cool reverb of “Yai,” the sexy club groove of the title track “Start To Feel” with Cary Brothers, the runaway winning potency of “So Get Up” and the synthesized effervescence of “Crushed” are all gems. It’s the skillful intermingling of love-letter anthems and heavy-hitter chart busters like these that Cosmic Gate have time and again flawlessly generated to make them masters of their medium.

Notably it’s “No One Can Touch You Now” featuring singer-songwriter Mike Schmid that delivers an unadulterated distinctiveness of rousing, breathy vocals and hastening ascending rhythm that makes it equally impressive as guy-gets-girl-loses-girl music video material, a dance floor-ready dedication and a throw-caution-to-the-wind reverence.

Once again Cosmic Gate has accomplished a coveted concoction of aural sensations to delight the masses on the dance floor, at music festivals and at intimate summertime gatherings to endure for generations.

Track of the Moment: Hardkiss – “Flowers Blooming/Glow of Love” (Remixes)

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In March we talked to Gavin and Robbie Hardkiss about the first anniversary of the passing of musical brother Scott Hardkiss (read the interview here) and restarting the Hardkiss label to release 1991, a wondrous, multi-genre dance album that was tracked before Scott’s untimely passing in 2013. Now comes a spate of remixes for “Flowers Blooming/Glow of Love” crafted by Mark E, Space Coast (Sleazy McQueen), Love Athletics and Gavin & Robbie Hardkiss. Borrowing from Change’s 1980 classic “Glow of Love,” the song in all of its remixed incarnations shines and has feel-good summertime vibes written all over it. We’d expect nothing less from the Hardkiss crew. Track of the moment!

Review: Aubergine MACHINE – “Hostage” (Liberated)

Aubergine MACHINE Hostage

★★★☆☆

Electro-pop duo Aubergine MACHINE are ready for the summer with their new single, “Hostage.” The duo consisting of the two-time multi-platinum artist Ian Carey and talented vocalist Shanti Ellis teamed up in 2012 to create a project that is a combination of electronica and pop. “For ‘Hostage’ we went back to the future and used our favorite ’90s trip-hop/neo soul influences to produce a fresh, deep, ultra modern song. We really enjoyed working on this one because it felt very natural to leave a little space to make it a little bit dark,” they’ve said. In “Hostage,” the duo executed their vision perfectly and created a tune that works for a radio audience, while also appealing to a more alternative crowd. Although it’s a bit more mainstream, the vibe of “Hostage” reminds me a little bit of some of Halou’s material. Included with the original work is a solid club remix. The duo also produced a cool rendition of “Call if Fate” by the Strokes. I hope the duo continues to put energy into their partnership. They have something great budding, and I’m curious to see how it unfolds for them.

Track of the Moment: Luca Bacchetti’s ‘OVO’ EP

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“They used to laugh at me, but I saw the future. Record company recession, dance floor boredom, and copy machines spit out song after song.” So proclaimed Lil’ Louis on “New Dance Beat” back in 1992. Louis’ determination to push boundaries is shared by Italy’s Luca Bacchetti who subscribes to the same limit-testing musical ethos. His OVO EP on his Endless label cuts through the perennial glut of 4/4 schlock like a hot knife through mozzarella and lift us into the clouds on the opening track “No Gravity.” Slowly unfurling into sheer cinematic bliss on a production that defies categorization, Bacchetti is patient and never allows his proverbial pot to boil over. “The Space Between Us” is more uptempo yet equally as expansive and compelling, while the ambient title track washes over and lulls you into a state of exultation. Will someone please give this man a soundtrack to score right away?