Album Review: John Daly / ‘Sunburst’ (Drumpoet Community)

★★★☆☆

This is not John Daly, the colorful golfer nicknamed “Wild Thing” and with a Bob Dylan cover to his name. This John Daly is an Irishman who instead makes electro-washed house with a clean and clear temperament made for diving into or relaxing by. Daly is in the courtyard using solar-powered turntables, the blue sky beats of “Cruise Control” going down like an ice cube sinking to the bottom of your cocktail glass. Synthetically reassuring, and entirely of its own doing and without vocal encouragement, Sunburst is dance music that will always catch you should you stumble.

The fact you can go about your day-to-day without fully engaging with it is not necessarily a bad thing, as the productions are as shipshape as a tidy dairy schedule. Deeper, drowsier house on “Deep Heat” and “All Night” – Daly continually being a producer who names his beats as precisely as they sound (see also the burbling “Moon Pool”) – is for stickier after hours sessions, but with a hold on the album’s overriding tingles and fuss-free focus.

If a lack of individualism crosses your mind, or if it’s a little placid as a clubbing experience (though “I Got Bells” begs to differ), then just take it outdoors for its 50 minutes and understand that it’s called Sunburst for a reason.
File under: Kris Menace, François K, Chicane

Album Review: Lazer Sword / ‘Memory’ (Monkeytown)

★★★★☆

Capitalizing on bass music’s extended reach, Lazer Sword lock in on a sound where the walls are closing in. You have “Point of Return” bashing away, and “Out the Door” really putting the squeeze on you. Through kindheartedness or luck the San Francisco swordsmen then let you push out into freedom, creating an LP programming a kind of concertina effect for speaker stacks, thrusting then recoiling. Mastering the lithe yet heavy, the hammer and tong of juke in near casual cruise control will never give you a moment’s peace – this is a Monkeytown product after all and quiet still means loud.

While using some stock sounds, effects and techniques in upholding bass/footwork’s share and share alike policy, there’s more to the all round game of Lando Kal and Low Limit, perhaps less satisfied than most with just raiding the sonic pantry from a future-underwater setting. Factoring in deep house breakouts, “Let’s Work” is tailored around Jimmy Edgar and Machinedrum almost inevitably turns up to lend a hand on “Chsen,” plus there’s booty-bulked electro (“Sounds Sane”) fizzing from a hive of activity. While Memory lacks a killer track to rewind, Lazer Sword have plenty to say in the bass shake-up.
File under: Sepalcure, Pinch,Martyn

Album Review: Claro Intelecto / ‘Reform Club’ (Delsin)

★★★★☆

Reform Club is house music that wants to be there for you, whatever your mood, from the Manchester UK groove masseur Mark Stewart. It plays as some kind of health spa meets convalescence home for house sufferers, mixing up aromas, some tough love and slow motion remedies. There’s the relaxant with strong bass undertones on the opening “Reformed,” letting you know how he’ll be laying his healing hands on your psyche. Then comes the rising “Blind Side” that’s definitely for your benefit, confusing your senses by being a sedative cocktail of cosmic disco, deep house and sludgy funker all in one. Extra care sees “Still Here” bewitch in its own time, before letting the bliss roams free.

Whatever the technique, the instruction is to keep the beats moving and the only way to find comfort is to dance. Four years on from Metanarrative, Watson does deep and ambient house as an advocate of meditation but not to the point where dancing feet feel they’re left out. Angelic brush strokes, sometimes sweeping, sometimes reprogrammed into a criss-crossing daze (“Control”), arch across an at times surprisingly rugged base as a means of shock therapy (“It’s Getting Late”, “Second Blood” and its tantalizing trick of a tempo). For such settings Reform Club knows not to drone on and on, as both a lover and a fighter. A club you should want membership for.
File Under: Carl Taylor, Scope, Terry Lee Brown, Jr.

Album Review: Stefny Winter / ‘Wind Walker’ (Archipel)

★★★★☆

Wind Walker – connotations of wind in your hair, or flying on the wings of love, or a general leaning towards positive elevation, right? Wrong – very wrong actually. Cali native, New York spinner and now Montreal tenant, Stefny Winter is sploshing around in the muds of deep house and techno, bass spattering your ankles, and in keeping with aerodynamics, hitting you with chafing gusts. Opening two tracks “Baby Android” and “Squeeze” are a classic one-two to put you in the picture, the former a downpaced squelch undercut with enticing groove, the latter with its head up and travelling at speed through a long chrome-arched tunnel that in due course runs the length of the album.

Equal parts smooth ride and chugging big wheeler (cosmic disco “Blood Orange and Rose” doing both as it relies on strength and shimmer), Winter will hit home either way, and doesn’t mind taking her time over how direct she is; “Colors” wants to find its range first with a boom of beats, and “Soaked” does the same with whiplashes of bass, but these are no sneak attacks or pincer movements, more Winter picking up grip or letting herself sink a little in the aforementioned mud. Putting its hands all over bodies with an automaton grope, there’s significant pull to her orchestration of a machinated sexiness.
File under: Nina Kraviz, Lindstrom, Maceo Plex